Elsewhere was built to shorten the distance between a person and the thing that moves them.
We commission new work. We put grants and scholarships into the hands of young artists. We make events — vouched for by some of the country’s finest — where one art form turns to another and begins to speak.
The Foundation takes its name and its temper from the author and playwright Swadesh Deepak (his story sits in the Swadesh Deepak section). Like him, Elsewhere will not stay put. It answers to no single language, no settled form, no age bracket, no obedient ‘message’. Picture a kaleidoscope mid-turn — rooms, makers, forms and ideas falling into new colour against an India forever rewriting its own culture.
In all that motion, we are after one thing: the instant a spectator leaves the room someone slightly other than who walked in.
So we go after the lines people stop noticing — between the expert and the curious, the figure on stage and the figure watching — and we curate to dissolve them. Across forms. Across distance. Among the known and the unknown, in image and in sound, in a time as unsteady as this one.
Exhibitions, plays, concerts, dance, film, performance art, workshops, talks, heritage walks. The list resists ending, which is the whole idea. Each is a door. The doors do not run out.
Elsewhere keeps a home in Chandigarh and is almost never in it.